Promoters and agents run discovery, conversation, calendars, projects and contracts in one place — instead of across twelve tabs.
Stop assembling the workflow by hand. Booking at scale usually means juggling inboxes, spreadsheets, calendars and drives across every party. Bridgent puts them on one surface.
Chat mirrors the inbox both sides use. It reads the request, checks the roster, and drafts the contract.
Request, discussion, option, hold, confirmed — every booking carries its real state inline.
Rank incoming demand per artist, with fee history and answers from your own past deals.
Every request, hold and confirmation logged — see momentum building before it's obvious.
Artists, agents and promoters located on one world map, filtered by who you need.
Filter by genre, live or DJ set, and identity — always self-declared by the artist.
See how closely an artist already connects to you, with recent activity at a glance.
Fees and availability stay protected — visible on request.
Calendars hold options, holds and ideas before anything is confirmed. Projects turn an event into an augmented spreadsheet a whole team can work, each with rights that match their role.
Options, holds, exclusivities and festival windows — the real state of every date.
Build the budget, add artists, follow each request's status from the same row.
The intern and the boss see different things — sensitive fees stay where they should.
What did this promoter pay last time? Which dates are soft? Answered from past deals.
The operating layer for electronic music booking.