Today, artist discovery, booking negotiations and event management are still scattered across Instagram, RA, email threads, DMs, spreadsheets and folders. The result is lost time, poor information flow, and too much friction between promoters, agencies and artists.
Bridgent brings this into one place. It combines the most structured industry database — mapping artists, agencies, promoters, clubs, festivals and collectives — with a booking workspace where both sides collaborate around the booking itself. Discovery, shortlisting, messaging, negotiations, lineups, budgets and logistics finally live in one system.
The project is rooted in 10+ years of field experience across both sides of the industry, and shaped by 50+ interviews with professionals. The demand is already there: promoters and agencies have shown strong interest, and several are ready to beta test.
Our ambition is clear — arrive at ADE with a functioning product, and prove that Bridgent can become the new operating layer of electronic music booking.
10+ years as a touring artist, music label founder, event booker and curator — living the booking process from the artist and promoter side every week.
5+ years in strategy consulting and data science — turning a fragmented, relationship-driven industry into structured systems people can actually work in.
Promoters and agencies are already signing up. Join them before ADE.